The History of the Famed Hollywood Hyphenate: Writer-Directors
This year's helmers are also nominated as scribes, a first for Academy history

This year, all the Oscar-contending directors are nominated for original screenplay: the Daniels (Daniel Kwan, Daniel Scheinert), Todd Field, Martin McDonagh, Ruben Östlund and Steven Spielberg (writing with Tony Kushner).
This is the first time it’s happened in AMPAS history.
The only year that came close was 2017, when all five helmers had written or co-written their scripts, though they didn’t all get writing noms.
So here’s Film History 101.
In Hollywood lore, Preston Sturges is often credited as the first scribe to become a hyphenate, as writer-director of the 1940 “The Great McGinty.” But as with all Hollywood “facts,” there is only an element of truth here.
Related Stories

Cloud Adoption Key to Media Business Exploiting AI

Kamala Harris Watches Maya Rudolph's 'SNL' Impression, Praises the Mannerisms: 'She's So Good!'
In the next few years, he was joined by some heavyweights: Orson Welles (“Citizen Kane”) and John Huston (“The Maltese Falcon”) in 1941; Leo McCarey (co-writer of “Going My Way”); Billy Wilder (writing with Raymond Chandler) for “Double Indemnity” in 1944; and Joseph L. Mankiewicz (“Dragonwyck”), 1946.
Popular on Variety
However, a writer-director wasn’t an innovation. The silent era had such double-duty (or triple-duty) filmmakers as Charlie Chaplin, Buster Keaton, Lois Weber and D.W. Griffith. But this was before the studio chiefs reorganized the structure of filmmaking and before guilds were formed in the 1930s. Credits were often less structured then.
It may come as no surprise that Hollywood did not invent moviemaking — or hyphenates.
Jay Weissberg, critic and film historian, tells Variety about writer-directors in Japan including Kaeriyama Norimasa as early as 1918 and Yasujirō Shimazu in 1922. Yasujiro Ozu (“Tokyo Story”) began working as a hyphenate on “Zange no Yaiba” (1927) and “Dreams of Youth” (1928).
Weissberg also cites France’s Abel Gance and Marcel L’Herbier, and Soviet Union’s Yakov Protazanov (including a 1915 “War and Peace”) and Dziga Vertov, who had years of credits before his influential 1929’s “Man With a Camera.”
That’s not even mentioning many countries with a long history of filmmaking, including Argentina, Britain, Egypt, India, Italy and Mexico.
So while Sturges is in the filmmakers pantheon, he wasn’t exactly a pioneer. And while Hollywood execs balked at changes to their system, voters at the Academy of Motion Picture Arts & Sciences quickly embraced the hyphenates. Sturges won an Oscar for “McGinty” and was nominated again for his 1944 classics “The Miracle of Morgan’s Creek” and “Hail the Conquering Hero.” The following year, Wilder won for his fourth film, “The Lost Weekend,” as both writer (with Charles Brackett) and director.
Welles scored three noms in 1941 for “Kane” and shared in the glory of the best-pic nom (before 1951, AMPAS cited the studio, not individual producers). By the time Warren Beatty was up at bat, he earned four apiece for “Heaven Can Wait” (1978) and “Reds” (1981), nominated as producer writer, director and actor.
Most of this year’s directing nominees also have a third nomination, as one of the film’s producers.
Does having multiple noms increase your odds of winning? Well, if you’re nominated for three, you have tripled your chances. But throughout the years there have been two dozen triple nominees, and some went home empty-handed, including such icons as Stanley Kubrick (multiple times!), Michael Mann and Robert Rossen.
Triple crown winners as writer, producer and director include: Leo McCarey (1944, sort of, since the studio was the official producer); Wilder, “The Apartment” (1960); Francis Ford Coppola, “The Godfather, Part II” (1974); James L. Brooks, “Terms of Endearment” (1983); Peter Jackson, “The Lord of the Rings: The Return of the King” (2003); Joel & Ethan Coen, “No Country for Old Men” (2007): and Alejandro G. Iñárritu, “Birdman” (2014).
And Bong Joon Ho set a lot of records at the 2020 ceremony, when he took home four Oscars for “Parasite.” So the directors of “Everything Everywhere All at Once,” “Tar,” “The Banshees of Inisherin,” “Triangle of Sadness” and “The Fabelmans” are joining a long and proud Hollywood tradition.
Read More About:
Jump to CommentsMore from Variety
‘Saturday Night Live’: Weekend Update Takes Aim at Diddy’s Legal Troubles, Daniel Day-Lewis’ New Acting Role and More
Generative AI & Licensing: A Special Report
Maya Rudolph on Her Mother Era, Reviving Kamala Harris for ‘SNL’ and Why Her ‘Zero-F—s Hormones Have Kicked In’
Kamala Harris Watches Maya Rudolph’s ‘SNL’ Impression, Praises the Mannerisms: ‘She’s So Good!’
Disney vs. DirecTV Is a Different Kind of Carriage Battle
Daniel Day-Lewis Officially Ends Retirement From Acting for Son’s Film ‘Anemone’
Most Popular
Inside the 'Joker: Folie à Deux' Debacle: Todd Phillips ‘Wanted Nothing to Do’ With DC on the $200 Million Misfire
‘Kaos’ Canceled After One Season at Netflix
‘Menendez Brothers’ Netflix Doc Reveals Erik’s Drawings of His Abuse and Lyle Saying ‘I Would Much Rather Lose the Murder Trial Than Talk About Our…
Kathy Bates Won an Oscar and Her Mom Told Her: ‘You Didn't Discover the Cure for Cancer,’ So ‘I Don't Know What All the Excitement Is About…
Saoirse Ronan Says Losing Luna Lovegood Role in ‘Harry Potter’ Has ‘Stayed With Me Over the Years’: ‘I Was Too Young’ and ‘Knew I Wasn't Going to Get…
‘Joker 2’ Director Says Arthur Fleck Was Never Joker: ‘He's an Unwitting Icon’ and Joker Is ‘This Idea That Gotham People Put on Him…
‘Joker 2’ Axed Scene of Lady Gaga’s Lee Kissing a Woman at the Courthouse Because ‘It Had Dialogue in It’ and ‘Got in the Way’ of a Music…
Andrew Garfield Says Sex Scene With Florence Pugh in ‘We Live in Time’ Went a ‘Little Bit Further’ Than Intended: ‘We Never Heard Cut…
‘Skyfall’ Director Sam Mendes Says James Bond Studio Prefers Filmmakers ‘Who Are More Controllable’: ‘I Would Doubt’ I’d…
Sydney Sweeney and Amanda Seyfried to Star in ‘The Housemaid’ Adaptation From Director Paul Feig, Lionsgate
Must Read
- Film
COVER | Sebastian Stan Tells All: Becoming Donald Trump and Starring in 2024’s Most Controversial Movie
By Andrew Wallenstein 3 weeks
- TV
Menendez Family Slams Netflix’s ‘Monsters’ as ‘Grotesque’ and ‘Riddled With Mistruths’: ‘The Character Assassination of Erik and Lyke Is Repulsive…
- TV
‘Yellowstone’ Season 5 Part 2 to Air on CBS After Paramount Network Debut
- TV
50 Cent Sets Diddy Abuse Allegations Docuseries at Netflix: ‘It’s a Complex Narrative Spanning Decades’ (EXCLUSIVE)
- Shopping
‘Deadpool & Wolverine’ Sets Digital and Blu-ray/DVD Release Dates
Sign Up for Variety Newsletters
By providing your information, you agree to our Terms of Use and our Privacy Policy.We use vendors that may also process your information to help provide our services. // This site is protected by reCAPTCHA Enterprise and the Google Privacy Policy and Terms of Service apply.Variety Confidential
ncG1vNJzZmiukae2psDYZ5qopV9nfXN%2FjpqumqqUqHynu8Kuqmidppq%2FusDHoqWgZZWrsrPF1qGcq51dqa6zecWamZ6knZa7tHnMmqKeZZ%2BosKK%2BjKGgrKyfp8ZufZFsbG5rZ2d9dHs%3D